Os híbridos cantam: a constituição do pensamento moderno, a poética Marubo e os estudos de poesia

Abstract

The article discusses possibilities open to the study of poetry based on Amerindian poetics, focusing specifically on the contributions of anthropologist and translator Pedro Cesarino (2013), in “When the Earth stopped talking”, anthology of mythical songs from the ethnic group amazonian Marubo. With this objective in mind, the discussion of Bruno Latour (2013) on the Constitution of modern thought and its guarantees is recovered, to then promote a reflection on how modern poetry, and precisely its criticism, does not escape this. paradigm – on the contrary, it is inscribed in it. For this, the clash between Berardinelli (2007) and Friedrich (1978) around the immanence and transcendence of lyric poetry, and the accusatory posture that gives dynamics to modern thought, is brought up. That done, the text resumes the poetry Marubo and the translational act of Cesarino (2008; 2013), as a way to highlight a poetics coming from another worldview, in everything different from ours, but, above all, to discuss how to look at this poetics it can make us rethink paradigms that formulate modern epistemology and, by extension, the hegemonic pillars of criticism about poetry.