Voz e arquivo: Eleonora Fabião, Ricardo Chacal e Ricardo Domeneck

Abstract

The voice in contact with the archive lends the sound of poetry to the text. Thus the consumption of the archive by the voice does not recognize the limits between the fact and the poetic. At the same time that such a loan takes place, an inadvertent borrowing also takes place from it. The voice takes possession of the archive to put it back on stage. It transforms graphic materiality into sound materiality. The voice steals their dictates just for an instant. Soon after, the voice refuses its possession and moves on. There are the voices of Eleonora Fabião, Ricardo Chacal and Ricardo Domeneck. It is from these dynamics of their reading that we observe how the voice offers its vibration to listening. So the poem it is and it is not simply information. It is and it is not an exercise of authorship. In this game between archive and repertoire (Taylor 2013), the poem is a communion that, present from body to body, overlaps temporalities. It makes the past resonate within the present. Makes the archive a mill of historical time.