Forms and practices of impertinence in Adília Lopes’ poetry

Abstract

In the poetry of Adília Lopes there are the coexistence of several pluridiscursive texts that break up with the borders between literary genres changing it into an unspecific poetics. Allied to the lyric insubordinate style, her poetry invests to the autobiographic and memory transposition for the art universe that results in some poems whose dialogue with another genre, as well as quotes, proverbs, chronicles, oral stories and informal conversations. These multiplicities of poetics construction used parody and irony as a manner to point in Adília’s books the hybridity and the close relationship between the subject and the experience. In order to verify these heterogeneous forms and practices in Adília, this paper shows a reading of some poems of the books Manhã and Bandolim, published in 2015 and 2016, books that merge poetry, autobiography and memory elements with another different genres.