"O que desaparece? E o que sobra?": leituras intermediais em 'Pickpocket', de João Miguel Fernandes Jorge

Abstract

The present article focuses on the interartistic discourse and in the significance of intermediality in the book Pickpocket, by the author João Miguel Fernandes Jorge, since it’s a book whose poetry is born from the cinema of Robert Bresson. Initially, it becomes crucial to emphasize the importance of intermediality in the writing of Fernandes Jorge, to comprehend what type of relationship does the author establishes with the cinema. In turn, we will carry out a book analysis that seeks to underline and cherish its dialoguing component and, at the same time, consider what sort of relationship the writing of Fernandes Jorge proposes with the Bressonian cinema.