Visualidade e inventividade na obra de Ana Hatherly
DOI:
https://doi.org/10.21747/2182-8954/ely17a5Abstract
The article intends to discuss the visuality in the work of Ana Hatherly through plagiotropia, both in poetic and essayistic texts. It is an essencial experimental procedure for her revisitation to Portuguese baroque of the 17th and 18th centuries.